Agrawal, Rashmi Kala
ISBN: 9788175741690, 8175741694
The book focuses on non-Jain illustrations, such as, the Balago-pala Stuti, Gita Govinda, Devi Mahatmya, Vasant Vilasa and Laura Chanda, which were generally overlooked under the glare of Jain group (between 11 to 16 century AD).
Pal, Pratapaditya
ISBN: 9789380581071, 9380581076
Library of Congress Catalog Card Number: 2011-312021;;
Sultana, Parveen
ISBN: 9789380467047, 9380467044
In the present book, it has been very methodically and logically tried to introduce, the mythological and literary content, significance, symbolic and religious meanings and other aspects of representation of elephant form in Indian art.
Bhaggeria, Purrshottam et al.
ISBN: 9788190650700, 819065070X
This first of its kind book is a unique collection of profiles of 25 living and 2 late premier collectors of Indian Modern & Contemporary Art all over the globe. The book highlights the collectors' definitive aesthetic vision, deep-rooted philanthropy, support & commitment to Indian art and artists. The book also showcases selected/favourite works of art of each collector... a collection which ...
ISBN: 9788189738921, 8189738925
This book is a dellightful collection of stories written by Hungarian artist who came to India in 1930 with her mother, and made it her home. The book, with an introduction by Dr Imre Lazar, contains her experiences in this country. It also contains rare photographs and beautiful paintings that the Brunners created.
ISBN: 9789937008785, 9937008786
Catalog of an exhibition from the collection of Anjana and Purna Shakya, organized by Bodhisattva Gallery in Kathmandu, 2016.
ISBN: 9788195587841, 8195587844
One of the greats of Hindi literature, the Chandayan is an epic, presented here in English translation along with 530 known paintings used to illustrate it in the sultanate period. The 16th-century historian Badayuni tells us that the Chandayan was selected for religious instruction by the Sufi, Maulana Da'ud, in the Tughlaq period. A racy yarn recounting the romance of Lorik and Chanda, it was...
Seitz, Konrad
ISBN: 9789391125912, 9391125913
The miniature school of Bundelkhand that first developed at Orchha was the earliest and most Indian of all the Rajput schools and at the time of its founding the only one to practice a purely indigenous style of painting, untainted by the naturalism of imperial Mughal painting. The author's interpretations and stylistic analyses of over 240 paintings from his collection, many of them published ...
Pathy, Dinanath
ISBN: 9788186622353, 8186622357
It focuses on the fundamentals of the Orissan painting tradition and its relation to sculpture and Oriyya literature.
Ohri, Vishwa Chander
The paintings herein on the theme of Rama's wanderings during his exile and his adventures in the forest as narrated in the great Indian epic the Ramayana are from Chamba, an important centre of Pahari painting, situated in the Ravi Valley in the heart of the Himalaya mountains.
Ramachandran, A.
ISBN: 9788190328371, 8190328379
Published in conjunction with an exhibition, Face to face organised by The Guild Art Gallery, 2007. Select bibliography on A. Ramachandran: pages 169-171.
ISBN: 9788190184458, 8190184458
Catalog documenting the artist's works, published by Nature Morte New Delhi & Bose Pacia New York, Spring 2007. 106 pages with color and B&W reproductions and texts by Abhishek Hazra.
Iranna, G. R.
Sachdev, Vibhuti
ISBN: 9789383098422, 9383098422
This book examines the `living traditions' of the former royal court of Jaipur, in the light of the objects and materials that are integral to the established rituals and celebrations. Lavishly illustrated with over 100 photographs of miniature paintings, ritual objects and ceremonies, this book is the first in a series on the collections at the Maharaja Sawai Man Singh II Museum in the Jaipur ...
Jain, Jyotindra
ISBN: 9789385360633, 9385360639
This book is a first attempt to construct an equitable account of the formation of his prodigious artistic body of work that founded his legacy and grew into a movement. As a prime critical analysis of Jangarh Singh Shyam's oeuvre, this book also serves as a model framework for the study of a contemporary individual folk and tribal artist.
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